Photo exhibition retracing Mahatma Gandhi’s travels from 1946-1948.

Join the Final Journey of the Mahatma

An ethnographic journey through Bangladesh, West Bengal, Bihar and Delhi, in search of the power of Gandhian Truthful Compassion (Satyagraha) to restore lost faith in humanity and hope for our nation.

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Journey Note

As the parched earth waited hopefully for the arrival of the rains, the four of us set forth on a journey of hope – Sudeesh took up his camera, Murali his sketchbook and pencil, Gopi his notebook and pen, with Prasoon following on with his video camera and tripod.

We were retracing the  footsteps of an exceptional  man, the kind that’s born once in a millennium.

With its plentiful ponds, labyrinth of waterways,  small dusty roads snaking from village to village, rickety bamboo bridges, modest houses made of tin sheets and a people with warm smiles, Noakhali stretched out before us. Seventy-eight years had passed but the memories were still fresh.

As we passed through the open gates of the Gandhi Ashram Trust in Joyag, Gandhi touched us. He spoke to us through the various people we met as we followed his path. In the sleepy hamlet of Sreerampur, from the small hut made of tin sheet, we heard an anxious voice of self-doubt. Ahimsa will not fail, but will I, as its practitioner?

In Bihar, the abandoned mosque rose majestically from the fields and spoke of its heydays, but we could also hear the wail of its  stifled call to prayer.

At Shanti Niketan, the Gandhi treading on a skull caused us to shudder, as Ramkinkar must have. Binod Behari offered hope. At the museum on the banks of Ganga in Barrackpore, at the Birla House where Gandhi fell, at the same bar in Marina Hotel where Godse’s friends ordered their whisky…we walked through layers of history.

Seasons changed and we saw how light had seeped in even in the dark times; how the song had continued. This journey has filled us with hope and hope transcends time and space.

The story of

You I could not save, Walk with me

A multimedia art exhibition and journey by Sudeesh Yezhuvath, PN Gopikrishnan, and others that explores Mahatma Gandhi’s final days, particularly his peace-making efforts during the Partition of India.

The exhibition uses photographs, new media, and installations to shed light on a less-known aspect of Gandhi as a peacemaker in Noakhali (present-day Bangladesh) and other areas fractured by communal riots. The project aims to draw contemporary relevance by showing how Gandhi fought for a secular India and urges people to continue his journey in the present day.

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Villages Covered
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People Interviewed

Show Catalogue

Videos and Talks

Artists and Curators

Sudeesh Yezhuvath

Photographer

PN Gopikrishnan

Poet

Murali Cheeroth

Curator

Jayaraj Sundaresan

Curator

Artist Note

Curators Note

Unity among the different races and the different communities belonging to different religions of India is indispensable to the birth of national life.

Mahatma Gandhi

Visitor Reflections

Photos From The Ground

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